Going going gone

Nine days of escape, dodging hurricanes, gettin' on the water in between. Beaches and mother ocean, exotic flora, greedy birds and sunshine. Time to relax, play some music and embody the spirit of Margaritaville. But I can't be ready. Something is just not right. I must be forgetting something coz I'm finished packing and there's still room......

Forbidden Fruit

Apples. I got apples. Two little trees, loaded. Never have these trees set this much fruit. Ever since I planted them about five years ago, I tried to do everything right for them. I bought all organic sprays. Before bud I sprayed this, after flower it was that, while maturing something else was squirted on. And I got a few apples here and there. Last year the late spring hard frost killed most of the crop set, so maybe they'd just stored up a lot of energy for this year. Or maybe the bees just did a better job of pollinating. It sure wasn't my crop management, because I was busy and fell down on my job. No sprays, no feeding, no nothing. I kinda ignored them. And now look! Boughs are bending, two limbs even cracked and had to be removed. That not quite mature fruit was cooked down into apple butter. The rest seem to be hanging in there. The greenish yellow one is called Winter Banana. It has a mild, sweet, softer flesh. The red ones are Arkansas Black. Tart, very firm, a great keeper. Together, these heirloom varieties make an amazingly delicious pie. Is there any better use of an apple than pie? I don't think so.

Point of reference

Sometimes it gets lonely when no one around you shares any of your points of reference. For most of my adult life, the people I worked and socialized with happily shared at least one point of reference. Even though we were all different ages, races and economic backgrounds, music brought us together in a common thread. With that music came a certain view of history and pop culture, touchstones one and all.

For example, my husband and I caught part of the Democratic National Convention and the governor of Montana had just given a speech. Commentators were reviewing it, talking about how Montana will matter this year. My husband quipped, "Of course it will matter, where else will we get dental floss?" Without even a pause, I added, "Or pygmy ponies." Anyone at all even vaguely familiar with Frank Zappa would have said something similar and laughed just like we did. That same comment where I now work would have branded me even stranger than they already think I am. Beware, crazy musician in cube C674.

Beware: crazy, lonely, misunderstood musician with a wry wit trapped in cube C674.

What if?

Yesterday a friend said to me, "What if we all did whatever we loved to do and got paid for it?" Indeed. But who loves to clean the sewer? And get paid what? Enough? Even more perplexing, what do I love to do? Or rather, which of the things that I love to do? Seems so simple a plan, yet sadly, destined to fail. Actually, I do know people who like to do jobs others detest. One friend likes to iron. Really. I know, I don't get it either. Another enjoys cleaning. Unfortunately, there's not enough money or benefits to be made, so it's on to the cube farm. Very complicated. And once your passion becomes your meal ticket, will it continue to hold the same fascination? Do you pick something to grow into? Or something you may grow out of? Would you be allowed to change? I do have this ideal world, rural communal living sort of fantasy that rolls around in the back of my head whenever my job gets to be too much. Even there, someone would have to do the septic tank clean out. After all, how many musicians does one commune need?

Promises made, promises broken

Most of the promises I make to other people are kept. Most of the promises made to myself are promises broken. As a girl child raised Catholic, it is ingrained in your being that your concerns come last. Not that the nuns ever really said as much, they didn't have to. The system was geared toward the old ways. Years of that upbringing do not fall away easily, even after pop psychology, logic, rebellion and soul searching. There is a line somewhere between service and subservient. Giving of yourself to others is admirable, but there has to be something left there to give. Sometimes I feel all given out. So I'm making a renewed effort to keep some promises to myself. Quand je parle français comme j'ai fait dans l'université, je vous ferai savoir.

Today I prayed for courage.

Dictionary.com defines courage as:
courage–noun
1. the quality of mind or spirit that enables a person to face difficulty, danger, pain, etc., without fear; bravery.
2. Obsolete. the heart as the source of emotion. c.1300, from O.Fr. corage, from V.L. *coraticum, from L. cor "heart," which remains a common metaphor for inner strength. In M.E., used broadly for "what is in one's mind or thoughts," hence "bravery," but also "wrath, pride, confidence, lustiness," or any sort of inclination. Replaced O.E. ellen, which also meant "zeal, strength."
—Idiom
3. have the courage of one's convictions, to act in accordance with one's beliefs, esp. in spite of criticism.

Usually, I do not pray for myself. So many other people in the world need prayers, good karma and positive energy sent their way. Struggling friends, ill family, war-torn countries, oppressed nations, the list is endless. Most often, I pray for peace and for the environment, figuring that if those two most global of problems were solved, everything else would just follow suit. Today was different. In a fit of desperate frustration, my mind silently cried out, “God, give me courage!” Courage to be who I am. Courage to follow my heart. Courage to say no. Courage to ask for help. Courage to forgive myself. Courage to pursue dreams.

Why courage? Because everything starts with one step, a hard step. The step that someone carved the words “Shoulda Coulda Woulda” into before the concrete dried. The step shrouded in fear. The step that’s wobbly, but the only way to cross the path. Courage moves feet, both physically and metaphorically. When faith and love need a push, courage does it.
So today, yes, today I prayed for courage.

Train, train

Through the drizzle, under the moody sky, here comes my train. It was early this day. Usually if I'm coming home around 8:45, it's scuttling back and forth across the road, moving cars from track to track in and out of the chemical plant. The gates come down, I stop, I stare. Over the years here, I've see it so often that I've claimed it as my own.

Trains are another of the many fascinations haunting the recesses of my mind. As a child in bed I could hear the train's whistle through the darkness as it crossed the county trestle, making its way from Edwardsville and Winchester to East St. Louis. In the spring and fall when my windows are open to the night, that same whistle blows down by the river. Besides the lonely sound epitomized in song after song, trains are a history. The old cars and engines are gigantic antiques, telling stories of hard work, pain and romance. In the blink of an eye, I can while away hours at the Museum of Transport in St. Louis County. Climbing on old steam and diesel engines like the child I am in my heart, I take pictures and daydream about a time when life was both harder and simpler. As with many other romanticized views of the past, it is most likely inaccurate, but then it wouldn't be a dream, would it? So go away, leave my train alone; let us have our fun.

Does it play in Peroia?

Wednesday, Dan Fogelberg's birthday, dawned a beautiful midwestern summer day. An uncommon day for August, the morning was cool, the breeze was gentle, and I was filled with the freedom that a weekday off work on a such brilliant morning provides. Guitar, CD's and coffee in hand, I headed North to Peoria. Why? Who knows. It seemed fitting. Decades had passed since I last saw Peoria in 1982. While everything around it has changed, the Illinois River remains a constant, just like the Mississippi of my childhood.

Having had enough of tall buildings and concrete, I escaped to a park outside of town, spread my blanket under a comfy tree, played to the river and did some thinking. What do I value? What makes me whole? What is it I am waiting for? Why? Why...... The answers held more truth than I was accustomed to hearing from myself, but in its very speaking, part of the weight I'd been carrying for so long was lifted from my shoulders. I needed to believe.

With that moment of catharsis, I headed off to a local winery for a late lunch. Red wine, cheese and bread, then playing more music on the patio. No one minded, no one knew or cared that I had not really played out in years. They hummed along, some sang with the older tunes. We did indeed drink a toast to innocence, to Dan, to time. Then at 5:30 (6:30 EST) I played the song I'd been saving all day, "The Reach". Someone whispered, "I love this song." Harmony ascended and as if on que, the golden late afternoon sun kissed the arbor, setting everything aglow. It was magic.

Back on the road, I took the long way home. It was a sunset to savor, a day to relish. Unbeknownst to him, Dan gave me a lot of gifts in his lifetime. Now even from beyond, he gave me one more. Thank you, Dan. Happy Birthday.

Recipe or Song?

As I stood peering into the fridge pondering dinner, I was hit with the realization that cooking and songwriting are familial beasts. Besides both being a creative outlet, the process can be surprisingly similar. Indulge me.

First, possession of some basic knowledge is necessary. You've learned other people's songs, you've cooked recipes from a cookbook. Then you have an idea, something inspires you. Nature, heartbreak, leftover roast beef. A lyric or melody rolls around in your head; you play it, repeat it, tweak it, refine it. You dig through the pantry, tasting and adding layers of flavor as one ingredient is transformed into a meal. The more you play your song, the better it becomes. If you're lucky, when you sing it for someone, they'll beam and want to hear more. Each time you cook the new dish, hopefully, it is received with praise and satisfaction. People ask you to cook it again. Comes a time when someone wants to learn your song. Perhaps you write it down, maybe they jam with you until they've got it down. When asked for the recipe of your new culinary creation, you have to measure out the ingredients and write instructions or have them join you in the kitchen to learn by your side. Next time, in someone else's hands, your song or recipe is never quite the same. It could be better, it may pale in comparison, but it is an honor that someone enjoyed it enough to make it their own.

So while I sing Guy Clark's "Homegrown Tomatoes", I'll be pickling them, too.

Pickled Green Tomatoes
5 - 6 lbs of hard green tomatoes
3 heads of garlic
12 fronds or sprigs of fresh dill
1 carton of pickling lime
12 pint canning jars w/ lids and rings
For Brine
2 quarts water
1 quart vinegar (at least 5% acidity)
1 cup pickling or kosher salt (must not contain iodine)
6 tbs picking spice

-Wash and halve or quarter tomatoes. Use only ones not beginning to turn.
-Follow instruction on picking lime carton and soak tomatoes overnight in lime solution. (This is how they keep their crunch.) Thoroughly rinse at least 3 times. Lime is caustic, so take care not to splash and wash up afterwards.
-Put brine ingredients in a non-reactive pot and bring to boil.
-Pack tomatoes, garlic and dill into sterilized jars. Want hot? Add a hot pepper to the jar.
-Using a canning funnel, fill jars with brine to within a 1/4 inch of top.
-Release any bubbles in the jar with a knife or chopstick and wipe rim w/ damp towel.
-Put on lids and screw on rings until finger-tight.
-Process in a waterbath open kettle canner for 10 - 15 minutes. Remove with canning tongs.
-Set on counter to cool, when you hear them "ping" they are sealed.
-When cool, store for 6 weeks for full pickling, then enjoy!

If you are new to canning, pick up a Ball Blue Book. It is the best guide to home canning and freezing that's out there. Even if you learned at mom's side, give it a read.

Yet another tribute to Dan Fogelberg

Wednesday Aug. 13 would have been Dan Fogelberg's 57th birthday. No doubt he would have spent it sailing the Reach and points beyond. In concert, he often introduced his song "The Reach" by saying "this one here, folks, is one of my very favorites."


As written here before, Dan's music was often the soundtrack to my life. Wednesday will be no different. I'll pass it with friends, we'll sing his songs and our songs. Stories will be told, memories will be shared. This will be one of them:

A few days after Dan’s passing, Mike Marone did a special tribute show on “The Loft” on XM Radio. Dan’s songs, remembrances, interview clips, it was very poignant; you could tell he was a fan. It was dark, about 7pm, the snow was falling, I was driving somewhere. I never made it. I was crying so hard that I had to pull over in a grocery parking lot and sit there listening. After the show, I still could not move. The snow was coming heavy. Big, fluffy, beautiful snow, the kind that blankets everything in silence, the kind I love to walk in. So out I walked. It was calming, the Christmas lights twinkled, I bought a coffee and headed back to my truck. This is what I wrote, sitting there, watching the world turn white.

Songs On The Radio

There was a time when I gave my heart
With the innocence of a child
Thought it had been set aside
But I was wrong
So I grieve and cry as snow falls
Emptiness so hard to bear
Surrounded by the quiet
And his songs

Songs on the radio
Memories in my head
Tears fall on the steering wheel
Pulling over again
This man was not my lover
My family or my friend
Yet somehow he was all of these
How can this be the end?

Now the dreams I have are haunted
By an angel or a ghost
And the pain is there still heavy
In my chest
So I sing his songs in darkness
While I cradle my guitar
It will be dawn before I stop
And finally rest

Songs on the radio
Memories in my head
Tears fall on the steering wheel
Pulling over again
This man was not my lover
My family or my friend
But somehow he was all of these
How can this be the end?
Please don’t let this be the end.

She's back, but where is home?

My best friend called to tell me she was back; carefully or unconsciously she avoided the word "home". After a stint down South, her plans for the West coast were foiled, so back to the Midwest she came. It's where her family is, it's where some friends are, but as to being her home? If in her heart she can name her home, it would find me surprised.

Though she speaks fondly of many places she's lived, she has moved on. Some of those points North were home after a while, now they do not have that draw. At one point she expressed envy of my staid existence, the husband, the house, the mortgage, the steady job. At the same time my disquietude rose to the surface. Classic case of other side of the fence? Probably not. We've both been restless spirits, but forces of circumstance and emotion forged different paths. Still, we both wrestle with our demons. Still we console ourselves with art. Still we search. From the deepest corners of our souls, the question escapes: where is home?

Summer, slow down!

The dog days of August have barely just begun and I am already lamenting the passing of summer. There is a solid month left, plus most of September is nearly fit for swimming these days. Still, between work and other obligations, precious little time remains for weekend get-aways along a pristine river or hiding in deep forest shade. I desperately crave the water; my body aches to feel its calming caress, to hear its ageless song. A niche has to be carved out of time; requests for presence denied, everything else set aside. Damn it all. Damn it all and go down to the river. Somehow, some way, my soul will be restored.

Woodyfest Find #3

Anthony da Costa keeps winning awards. Last year he won both the Kerrville Folk Festival's New Folk competition and Falcon Ridge's Emerging Artist award. Little wonder. Riding home from Woodyfest, listening to his CD, my husband says, "That's amazing that he can write like that and he's what, 17?" I had to remind him that Jackson Browne wrote "These Days" when he was the same age. Some people just have "the gift". Add Anthony to the list.

Showcasing down at the Brickstreet, Anthony played an impressive set. Songs of love, loss, music and political relevance mixed with easy stage banter that eludes most younger artists. His sense of humor showed through and personally, I really like that. But what really blew the crowd away was his cover of "Draft Dodger Rag" at the Phil Ochs Tribute set on the main stage. He learned the song just that afternoon and nailed it that night, solid. The delivery was perfect, reality injected with wry humor. Phil's sister, Sonny Ochs, just beamed. He did Phil proud. Keep an eye on Anthony da Costa, we're going to be hearing a lot from this prolific, gifted young musician.

Lonely, but not alone

As evidenced by previous posts, I'm prone to being a victim of my moods. This morning something snapped, heading into church no less. I found that no matter how I tried, I could not pay attention to the readings. My consciousness drifted in and out of the sermon. Like a child, I drew pictures of wildflowers on the bulletin. Here I was, surrounded by people who really do care about me, escorted by a most loving spouse, yet in the mist of all this, the intensity of my loneliness was like a weight on my heart. While I recognized the emotion, the feeling of isolation, the reaction of withdrawal; it's something I was unable to shake. Perhaps it will wane in slumber. Perhaps it won't last. But how? Why? I'm tired; I'm torn. It's with me still.

Woodyfest Find #2

Jimmy Davis has been around a lot longer than that baby face of his leads you to believe. His album debut was back in 1987 and he hasn't looked back. Jimmy camps along his tour; saves money, meets people, sings and writes inspired by surroundings, memories, histories, imagination and new friends along the way. Sounds like a perfect fit for Woodyfest, doesn't he?

Jimmy was a Woodyfest virgin when he hit The Brickstreet stage on Thursday. Tough slot, Thursday afternoon. The weekend not quite started, hardcore festival goers filling the venue. With just his trusty Martin and the mandatory abbreviated set list, he stunned the crowd and left them wanting more. A natural storyteller, he regaled us with stories of his family and the inspiration sparked from talking to Jim Dandy as intros between songs. That storytelling flare shines through his songs as well. Vingnettes draw you in until you want to snuggle under his grandmother's quilt, or hide out in the Devil's Den like one of his characters. Besides crafting some great songs, the man can play. All too often solo acoustic players have a timid or sloppy attack; Jimmy's knows better. He's a seasoned and strong musician who knows when to charm a note or nail a chord. It was a pleasure to be introduced to his music. I know I'm in line for Jimmy Daddy's Acoustic Songs II. Check out Jimmy's tour schedule and if he's in your town, don't miss him!

4th of July

Sometime between work, drive, and Woodyfest, there was the 4th of July. Amazingly, the 'fireworks' setting on my little Optio W30 really does work when you use a beach chair umbrella as a monopod. The fireworks at my friends' party out in the country were pretty astounding. They couldn't even fit the booty in a wheelbarrow to get it down the road to shoot off.... no, it was such a cache that they had to take the pickup. It was better than many of the fireworks displays put on by my hometown when I was a kid.

Bethalto used to have a "homecoming" fair on Labor Day weekend and a some-other-kind of fair over 4th of July. I guess it still does. Midway, games, mud, wood chips, funnel cakes, contests, etc. Our church always had this big food and beer booth (Catholic, of course) and ladies from the 140 Club would fry up about a million of their famous chickens to serve. Parishioners were expected to donate either their first fresh tomatoes to sell as sides or their first born children to serve and clean. Like bingo slave duty and mandatory fashion show babysitting, I mostly got out of having to help, being the precociously mouthed wild card that I was. Unfortunately, the tomatoes were sacrificed for our Lord's luncheon sales. This left me time to ride the tilt-a-whirl and play skee ball until my money was gone, then sneak off to the arboretum to hang out under my favorite trees and read, write or sketch until it was time for the fireworks. Poor little fireworks. A few roman candles and about eight sky-worthy shells; maybe a few peonys and if we were lucky a couple of spiders. But it was what we had and we ooooo-ed and aaaaaahhh-ed like it was New Years in Chinatown. Sometimes, I guess it's okay not to know any better, if only to preserve what's left of the magic.

Woodyfest Find #1

One of my favorite things about the Woody Guthrie Free Folk Festival is discovering new artists. Could be someone truly new, just on their first record. Could be someone who's been around for a while, but under my radar. Could even be someone who's been at the fest before, but had a gig at the same time I was working or seeing someone else at a different venue. No matter what the situation, I always drive home listening to CD's by folks I'd never listened to before. This year was no exception, the new crop was fresh and tasty! Here's the first find that totally blew me away.

Alexinder Gunn is just 21 years old, but writes like he's lived a lifetime or two already. Maybe he has an old soul, maybe it's other-worldly wisdom, but he sure has a lot to say and I am happy to listen. His songs can be ethereal, touching, achingly sad and full of heartfelt hope all at the same time. "I Know Your Here (A Song to Woody Guthrie)" is his fitting tribute to one of his many influences. It captures how many a musician feels, especially at Woodyfest. Listening to Alexinder, you know he is real; you can hear where the music comes from. When you watch him play, and he closes his eyes and slightly tilts back his head to hit that high note, you are captivated by his voice and emotion; drawn in to his world. And you won't want to leave. Click on the link above to check out some of his tunes. You will not be disappointed.

Happy Birthday ,Woody! aka Woodyfest: part 1

Been gone so long..... not long enough.

The Woody Guthrie Free Folk Festival was blessed by weird magic this year. Most folks suppose that Woody and Bob Childers were up there arranging it. "Oh, c'mon, God, give 'em a break, it's Woody's birthday for, uh... your sake!" At any rate, juju aside, The rain came and went, came and went again, and for five days the show always went on. From the beginning Wednesday night with Country Joe McDonald's Woody Guthrie Tribute, (and yes, the encore was indeed THE cheer and Rag), straight through to Judy Collins' ethereal main stage wrap-up set, and Sunday's "Hoot for Huntington's", there was good luck, great music and wonderful friends. Saw lots of Woodyfest first timers that we hope will be back next year, and hung out with long time once-a-year buddies, catching up, talking shop and sharing memories. Photos from the fest will be posted on Eye Spye and more stories from Okemah to come.

Back to the real world. Dang.

Blogging off to festival land

It's that time of year, July. Hottest month of the year. Hey, I have an idea! Let's go to Oklahoma where it's even hotter.... Yeah, I thought these people were crazy, holding a five day music festival in a hot state, in a hot month; you can just see the glue melting on those acoustics' bridges. But then I went. Woodyfest is different. It's free except for camping or evening outdoor venue parking and the artists all donate their time, only travel and lodging are paid. It's a labor of love in the name of Woody Guthrie. Held in Woody's home town of Okemah, the whole thing is a trip. Though small by folk fest standards, it's perfect for what it is and the time and space available. Three main venues and a fourth for ongoing open mic, main campground pickin' all night long, quieter lakeside camping, and friendly people everywhere. Really friendly. Amazingly friendly. Did I say they were friendly? Not quiet used to that living in the city. So if you wander on down to Woodyfest next week to see Judy Collins, Country Joe McDonald, John Gorka and a host of regular, rotating and new artists, you will be counted as friends. Not to mention have one hell of a good time. Stop by the CD sales booth and say hey, that's where I'll be. Until post-fest, summer up!

This Old Guitar

Most players have an outdoor or camping guitar. It's "the beater". Already mojo'd up with dings and scrapes, another would only add to its character. Mine is my oldest guitar, a late '60's or very early '70's "Jadee". My parents bought it for me already well used back in '75 or '76; my first cannon. A Gibson Hummingbird copy, a big dread with a big sound. Back then I didn't know a lot about guitars, except that mine sounded a lot better than most of my friends'. Now I know why.

Extensive internet searches have brought up nothing for the Jadee moniker, but the history of Japanese copy guitars of that era is getting to be well documented. This guitar is solid top, back and sides, grain goes all the way through, no laminates. Adjustable bridge, like many early Sigmas, typical of that period. Logo and decoration all inlaid mother of pearl. The headstock still has the Gibson mustache, so it is said to be pre-lawsuit. Interestingly, the label, while stating "Made in Japan," also says, "Constructor de Guitarras. Jadee. Modelo No 684.6". Made for a Spanish speaking market? Or like the Ibanez, just trying not to be so Asian? Many factories were putting out amazing product during this "golden age" of Japanese production, guitars that blew the socks off of the lesser entry-level price point instruments made in the US.

But the best feature is how it still plays. The action has always been low, the neck profile slim as well. It's always sounded warm; matter of fact, that's how I got into buying D'Addario Phosphor Bronze strings, to edge up its brightness. After all these years, the bridge was just beginning to lift, so earlier this year I took it in for a glue job and had new tuners, a new saddle, and some fret replacement done. Probably spent as much on it as my parents originally paid for it. A total bargain. While I love my Martin, my Sigma, my Ovation and even that 2 x 4 of a Fender 12-string, this old guitar has a part of my heart. Don't think I'll ever let it go.