Most players have an outdoor or camping guitar. It's "the beater". Already mojo'd up with dings and scrapes, another would only add to its character. Mine is my oldest guitar, a late '60's or very early '70's "Jadee". My parents bought it for me already well used back in '75 or '76; my first cannon. A Gibson Hummingbird copy, a big dread with a big sound. Back then I didn't know a lot about guitars, except that mine sounded a lot better than most of my friends'. Now I know why.
Extensive internet searches have brought up nothing for the Jadee moniker, but the history of Japanese copy guitars of that era is getting to be well documented. This guitar is solid top, back and sides, grain goes all the way through, no laminates. Adjustable bridge, like many early Sigmas, typical of that period. Logo and decoration all inlaid mother of pearl. The headstock still has the Gibson mustache, so it is said to be pre-lawsuit. Interestingly, the label, while stating "Made in Japan," also says, "Constructor de Guitarras. Jadee. Modelo No 684.6". Made for a Spanish speaking market?
Or like the Ibanez, just trying not to be so Asian? Many factories were putting out amazing product during this "golden age" of Japanese production, guitars that blew the socks off of the lesser entry-level price point instruments made in the US.But the best feature is how it still plays. The action has always been low, the neck profile slim as well. It's always sounded warm; matter of fact, that's how I got into buying D'Addario Phosphor Bronze strings, to edge up its brightness. After all these years, the bridge was just beginning to lift, so earlier this year I took it in for a glue job and had new tuners, a new saddle, and some fret replacement done. Probably spent as much on it as my parents originally paid for it. A total bargain. While I love my Martin, my Sigma, my Ovation and even that 2 x 4 of a Fender 12-string, this old guitar has a part of my heart. Don't think I'll ever let it go.
